There is not the slightest resemblance to any kind of creative characteristics from China, it is a film that is ready to go.
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Compared with his compatriots Zhang Yimou and Chen Kaige, his style is closer to Fellini and Kusturica. A film masterpiece that renews the old and brings forth the new marks the birth of a talented filmmaker. "Sunny Day" leaves Jiang Wen's juvenile memories on film, and "Devils on the Doorstep" further establishes Jiang Wen's unique position in contemporary Chinese film circles.
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The film "Devils on the Doorstep" is contrary to the traditional Chinese film narration and foreshadowing. It is very frank and direct, full of power and passion, and embodies the complexity and multi-faceted nature of human nature. The whole film is like what Lao Tzu said, "goodness is like water", reflecting the Chinese people's tolerant but tenacious character. The audience can see the goodness flowing in the hearts of Chinese people, and at the same time can feel that this kind of goodness cannot be bullied casually.
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