Departures Creation lineup
-
Vinnie 2022-03-21 09:02:24
Too many symbols. . . Actually not necessary. I don't think a person can watch movies without curiosity, so the theme of the funeral is not a failure. But it's still not pure. It's a bit unconventional to have to turn such a meaningful career into a self-fulfilling process for the hero. In addition, there are scenes of the male protagonist playing the violin in the wilderness, which is just like some Taiwanese films. . .
-
Angel 2021-12-25 08:01:15
The plot arrangement, lines and performances are all too deliberate. Seeing a certain foreshadowing, you can know the next move (bathroom proprietress, stone, chicken, pregnancy, father, all kinds of misunderstandings and relief) almost touching people...because the previous paragraph I've seen the coroner's documentary, but the setting hasn't moved me either. Hirosue Ryoko is very cute and caring, and makes people feel that it is too happy to have such a wife. Is Shih Tzu milk so delicious? That fried chicken looks good
-
Grieving Woman: Papa... Thank you!
-
Mika Kobayashi: What are you doing?
Daigo Kobayashi: This one. Here.
Mika Kobayashi: What?
Daigo Kobayashi: A stone letter.
Mika Kobayashi: Stone letter?
Daigo Kobayashi: Long ago, before writing, you'd send someone a stone that suited the way you were feeling. From its weight and touch, they'd know how you felt. From a smooth stone they might get that you were happy, or from a rough one that you were worried about them.
Mika Kobayashi: Thank you.
Daigo Kobayashi: What did you feel?
Mika Kobayashi: Not telling. That's a lovely story. Who told you?
Daigo Kobayashi: My dad.
Mika Kobayashi: You mean... that big rock?
Daigo Kobayashi: Yep. I got it from him.
Mika Kobayashi: I didn't know that.
Daigo Kobayashi: He said he'd send me one every year, but that's all I ever got. That jerk!