Death Proof evaluation action

2021-10-20 17:21
"Death Evidence" uses an unconventional shooting angle, instead of telling the story from the perspective of the killer, but almost entirely from the perspective of the victimized women. It is flooded with parental shortness and gagging among women, which simply tests people's patience. The film does not explain what should be explained, such as the psychological origin of the killer. The film does not mention a word about it. It only knows that the killer is a stuntman. Others can only be guessed by the audience. The American actresses in the film are often Forgotten. In addition, the film randomly disrupts the rhythm, the first half of the rhythm is slow, making people tireless, seeing the killer move out, and then start to talk, until the wonderful car chase scene, I haven't seen it, the climax comes with a click, and the film is abrupt. However, under the background of this rhythm, the film suddenly turned into black and white, and the scratches and noise caused by the film being thrown on the ground were nothing.  .
"Death Proof" is a kind of crooked and righteous fit, a kind of perverse echoing of ghosts, and a kind of publicity after experience. The film is black but not dull. It clearly shows the amusement and the wanton violence that completely subverts the black atmosphere  .
"Evidence of Death" is a film clearly marked with the Kunji logo: endless dialogue, violence, music, hot dance, death, blood, banter, ridicule, individual women, and brutal men. It is very regular in narrative, not playing narrative games, and even in editing. Irregular editing only occurs when Mike crashes and performs cruel scenes. Of course, the narrative moderation does not explain the lack of narrative ability. The director abandoned the narrative stunts, but in the stable narrative, the high level as always, the film is clearly divided into two parts, the front is the tragedy of the life of the four girls. It was a nasty victory for patriarchy, and the second half was the climax of the four girls' lives, a high-pitched ode to feminism. The plot cannot be said to be tortuous, but it still makes people watch with gusto, because the film itself creates an atmosphere and unique spiritual characteristics. The car chase scene in the film occupies a large part of the scene. The audience is dizzy when being hit by an express car. Road, car, chase, violence, and suspense constitute the key words of the scene in the film. There is a lot of music in the film. There is a lot of music in the bar, in the car on the road, and in the earplugs, and the styles are different: soft, lazy, aggressive and violent  .
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Extended Reading
  • Morris 2022-03-24 09:01:21

    Enough cult, vigorous and sentimental!

  • Jerald 2021-10-20 19:02:53

    All kinds of big feet tell you that this is Quentin’s film, but in addition, this is actually his tribute to the stunt actors: Kurt Russell starred as stuntman murderer, and the queen’s stuntman Zoe Bell The true colors appear on the scene, all kinds of interesting slogans come in hand, and the mix and match of various styles show a huge sense of fragmentation but not rigid. The final The End is really Shaw Brothers.

Death Proof quotes

  • Pam: [seeing his car] Wow, that's fucking scary.

    Stuntman Mike: Yeah, well, I wanted it to be impressive and... scary tends to impress.

    Pam: Is it safe?

    Stuntman Mike: No, it's better than safe. It's death-proof.

    Pam: How do you make a car death-proof?

    Stuntman Mike: Well, that's what stuntmen do. You've seen a movie where a car gets into some smash-up there ain't no way in hell anybody's walking away from?

    Pam: Yeah.

    Stuntman Mike: Well, how do you think they accomplish that?

    Pam: CGI?

    Stuntman Mike: Well, unfortunately, Pam, nowadays more often than not, you 're right. Tsk. But back in the all-or-nothin' days. Vanishing Point days, the Dirty Mary Crazy Larry days, the White Line Fever days... real cars smashing into real cars. Real dumb people driving 'em. So, give the stunt team the car you want to smash up, they take her and reinforce that fucker everywhere and, voila! You got yourself a death-proof automobile.

    Pam: That makes sense. I just didn't know you could make a car death-proof.

    Stuntman Mike: Well, I can drive this baby into a brick wall doing 125 miles an hour. Just for the experience.

    Pam: Why is your passenger seat in a box?

  • Kim: [a high-speed car chase. Kim is ramming her car into Stuntman Mike's car, directly in front of her.] Oh, you 're gonna wiggle your ass at me? Gonna wiggle it at me? Oh, don't like it up the ass, do you, you redneck lunatic bastard?

    Stuntman Mike: Agh!

    Kim: Oh, yeah, I'm gonna bust a NUT up in this bitch right now! Oh, I'm the horniest muther on the road! I'm 'bout to BUST a NUT up in this bitch!

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