Death Proof evaluation action

2021-10-20 17:21
"Death Evidence" uses an unconventional shooting angle, instead of telling the story from the perspective of the killer, but almost entirely from the perspective of the victimized women. It is flooded with parental shortness and gagging among women, which simply tests people's patience. The film does not explain what should be explained, such as the psychological origin of the killer. The film does not mention a word about it. It only knows that the killer is a stuntman. Others can only be guessed by the audience. The American actresses in the film are often Forgotten. In addition, the film randomly disrupts the rhythm, the first half of the rhythm is slow, making people tireless, seeing the killer move out, and then start to talk, until the wonderful car chase scene, I haven't seen it, the climax comes with a click, and the film is abrupt. However, under the background of this rhythm, the film suddenly turned into black and white, and the scratches and noise caused by the film being thrown on the ground were nothing.  .
"Death Proof" is a kind of crooked and righteous fit, a kind of perverse echoing of ghosts, and a kind of publicity after experience. The film is black but not dull. It clearly shows the amusement and the wanton violence that completely subverts the black atmosphere  .
"Evidence of Death" is a film clearly marked with the Kunji logo: endless dialogue, violence, music, hot dance, death, blood, banter, ridicule, individual women, and brutal men. It is very regular in narrative, not playing narrative games, and even in editing. Irregular editing only occurs when Mike crashes and performs cruel scenes. Of course, the narrative moderation does not explain the lack of narrative ability. The director abandoned the narrative stunts, but in the stable narrative, the high level as always, the film is clearly divided into two parts, the front is the tragedy of the life of the four girls. It was a nasty victory for patriarchy, and the second half was the climax of the four girls' lives, a high-pitched ode to feminism. The plot cannot be said to be tortuous, but it still makes people watch with gusto, because the film itself creates an atmosphere and unique spiritual characteristics. The car chase scene in the film occupies a large part of the scene. The audience is dizzy when being hit by an express car. Road, car, chase, violence, and suspense constitute the key words of the scene in the film. There is a lot of music in the film. There is a lot of music in the bar, in the car on the road, and in the earplugs, and the styles are different: soft, lazy, aggressive and violent  .
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Extended Reading

Death Proof quotes

  • Zoë: So where's the maniac?

    Kim: I shot him and his punk ass ran off.

    Zoë: You wanna go get him?

    Kim: Oh hell yeah!

    [to Abernathy]

    Kim: Baby, I think you might want to get out...

    Abernathy: Fuck that shit! Let's kill this bastard.

  • Stuntman Mike: You know, a bar offers all kind of things other than alcohol.

    Pam: Hmm. Really? Like what?

    Stuntman Mike: Women, nacho grande platters, the fellowships of fascinating individuals like Warren here. Alcohol is just a lubricant for all the individual encounters that a bar offers.

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