"Death and the Maiden" is the darkest and most depressing film by director Rajmund Roman Liebling. The original work is an ambiguous and elusive psychodrama with serious political and moral debates as its central theme. The director adapted this moral and political drama into a melodrama with complex twists and turns and climaxes. In order to create a tense theatrical effect, the director compressed the time of the original stage play one day and one night into one night, creating a tense and real time rhythm. The abstract space design like symbols gives the story a universal The moral of sex indicates that such a story can happen in any country under dictatorship. There are only three main characters in the film, and the scene is limited to a claustrophobic space, basically retaining the style of the stage. However, the director uses excellent film methods to build a bridge between the audience and the characters, making the audience's heartstrings tight. Focusing on the tense moments of crisis, as if being on the scene, I have a full understanding of the mental imbalance and trauma after the persecution of women. This kind of abstract time and space like symbols makes the whole story more representative and symbolic. The time and space of the film is simple to the extreme. The director adapts the original stage play into a melodrama with complicated twists and climaxes, and uses a unique suspense technique to reveal the potential danger of Nazism's lingering shadow. The truth makes the audience shudder. The rhythm of the film is slow. The director and screenwriter have added some details of the description of the action on the basis of the original drama, making the storyline more compact, more refined, and more realistic. Especially in the description of some wonderful details, it is vivid and powerful, leaving a deep impression on people. Actress Sigourney Pfeiffer plays a survivor of Nazi violence, performing delicately and hierarchically. In a sense, the film goes far beyond the political meaning and scope it reflects, so it resonates strongly with the audience.
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Death and the Maiden evaluation action
2022-01-11 08:03
Extended Reading
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Makayla 2022-03-27 09:01:15
Cruel elegance, or graceful cruelty, power in the dark is in the palm of your hand, how much self-control do you have? When the light came on, I suddenly shifted to the rock channel, and then the door opened. In the vast dawn, I entered the mist of the past. At the end, I looked up and down, and the burden was still there. Beautiful rhythm and idea, but the most talented part is the dialogue between husband and wife. "My princess, my bride" "I just want the truth" "I can't fuck him"
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Haylie 2022-03-25 09:01:16
Polanski turned the moral-political drama into a melodrama of intricate twists and climaxes. In order to create a tense dramatic effect, he compresses the original stage play from one day to one night to create a tense and real time rhythm. The space design as abstract as a symbol gives the story a sense of The moral of the universal, suggesting that such a story could take place in any dictatorship. There are only three main characters in the whole film, and the scene is also limited to a claustrophobic and narrow space, basically retaining the style of the stage, but Polanski uses excellent film techniques to build a bridge between the audience and the characters, making the audience The heartstrings are tensely concerned with the dangerous moment of tension in front of me, as if I was there, so that I have a full understanding of the mental imbalance and psychological trauma of women after being persecuted. This abstraction of time and space like symbols makes the whole story more representative and symbolic.
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Dr. Roberto Miranda: It must be some kids out for a joyride.
Gerardo Escobar: No, this time I really do have something to apologize for. My wife took your car.
Dr. Roberto Miranda: She went out for a tire?
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Paulina Escobar: It's a miracle. He's delivered himself. Like a fantastic surprise Christmas present, left at the door.