After the 45-minute emergency, director Askha-Fahati recovered the tense narrative rhythm, and the film turned into a mysterious and thrilling drama. The film takes the director's complex narrative techniques to a new level. ()
The film’s psychological portrayal of the characters is very delicate, especially after Yili’s disappearance, the characters’ instinctive reaction to this event in the film is very humane, and it also allows the audience to understand the social life in Iran. ()
The film is called "About Elly", which is actually about how people should make choices when facing the truth. Sepideh chose to lie and felt full of guilt for the dead, but the stable situation was preserved. ()
Whether it is the characters in the play or the audience outside the play, the understanding of Yili is very limited. When the story first started, it was like a light comedy, both joyful and warm. With the development of the story, the director created one suspense one after another with simple trivia after another. The late discovery and the lies that had to be told kept the truth still in the fog. The result is really "result", just like a line in the play: "The result of pain is better than the pain of no result." ()
