"Damage" explores the relationship between marriage, love, and sex with more traditional film language and narrative methods, and leaves audiences with space for thinking about taboos in this field. Measured by the standards of worldly sentiment and shame, Anna's behavior is unfounded and meaningless, so it cannot be explained. However, Anna can be regarded as an individual detained by taboos. Her ignorance of taboos, blasphemy of norms and authority may be intolerable by the world, but it is an act of defending individual freedom and even her own rights. As traditional humanism preaches: everyone has the right to pursue happiness. But when taboo becomes a spell that hinders people from pursuing happiness, it will be not only a tragedy of sex, a tragedy of love, a tragedy of family, but also a tragedy of fate that lies before everyone's eyes. Marriage is rational, free, and therefore sacred. However, the desire for love and sex cannot be controlled and explained by reason, and God cannot do anything.
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The film reveals the hypocrisy, selfishness, and moral decay of the upper-class society of the bourgeoisie. It explores the role and position of sex in human civilization in a certain depth, and tries to reveal sex and love, instinct and reason, selfish desire satisfaction and ethics under a civilized system. Conflict between. Reflecting society and revealing human nature from a sexual perspective, the film has a profound meaning and rich connotation. It is a love commercial film that breaks away from the superficial level However, "Damage" is a product of Western society and culture after all, and it must inevitably bear the stigma of Western degenerate culture. The large number of plots and shots in the film show the details of the male and female protagonists' sex, blindly pursuing the sensory stimulation to the public, which is obviously not suitable China’s national conditions do not conform to the ethics of Eastern society
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