Ten years of painstaking script, writing father and son for love, hesitant to live in lies. Sack was born on Christmas Day 1960, carrying an identity like Jesus. Father's favorite son, the price is almost double the price of masculinity, but unfortunately he only loves boys. Growing up, he was not worried about loneliness. He had Pink Floyd, Rolling Stones, and four Rolling Brothers, but his sexuality had to be locked in the closet, and he even went to bed with his best friend Michelle. As soon as the door was closed, he followed David Boer's table shape and microphone. Father was shocked to learn the truth, and his struggle became a matter of two people. The popular songs of the same generation advance the plot all the way, and the film critics' amazing work with both refined and popular tastes, laughter and tears, won the most popular audience award at the Toronto Film Festival.
C.R.A.Z.Y. background creation
2022-01-28 08:18
Extended Reading
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Raymond Beaulieu: [to Laurianne] I missed... your delicious ironed toast.
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Zachary Beaulieu 15 à 21 ans: Do I look like a fag? Do I talk with a lisp? Strut like a peacock?
Psychothérapeute: Nice idea of homosexuals you've got there. They're not all like that.
Zachary Beaulieu 15 à 21 ans: They all become that way. Sooner of later.
[lighting a cigarette]
Zachary Beaulieu 15 à 21 ans: This is a waste of time. I'm not a fag. I'd rather die.
[looking at the shrink, uncomfortable]
Zachary Beaulieu 15 à 21 ans: It's just a fugure of speech. Isn't it obvious? Being happy and healthy, or miserable and fucked-up. It's a no-brainer.