Crash Piercing lens

2021-10-18 09:27
The staff can see: Daniel repaired the lock and walked in to talk to Farhad. In the lower left corner of the screen, two crew members can be seen trying to hide behind the store shelves.
Continuity: When Doris asked for money or guns at the gun store, the owner put the gun directly on the glass counter. After she screamed frantically for a few minutes, she grabbed the gun, which was now placed in a box.
Continuity: When Sergeant Ryan and Hansen stopped Cameron and Christie in the police car and were still in the car, Sergeant Cameron turned on the lights. When they all got out of the car, he turned off the lights. But after a few sets of shots, the lights came on again.
In the scene where Daniel intends to leave her daughter’s room, the lights and switches fail to achieve synchronization and consistency; when the camera is aimed at Daniel’s daughter who is on the bed, the light is on. When the camera switches to Daniel who is about to leave her daughter’s room, it is obvious. When the switch was turned off; then Daniel turned and left and did a fake act of turning off the light, but the light turned off.
After Patrol Ryan and Hansen drove Cameron and Kristen’s cars to the side of the road in a police car, Hansen turned on the lights when they were in the car; then they got out of the car and the lights went out; but then In the next shot, before they got in the car, the lights were turned on.
When the owner of the Persian shop pointed a gun at the Mexican locksmith, the locksmith’s daughter was frightened and quickly opened the door and ran out. After the door was slammed several times, she stopped in the open state; in the next shot, the girl’s mother ran away To this closed door; in the next shot, the door is open again.
When the owner of the Persian shop saw the little girl, he pulled the gun back; in the next picture, we saw that the hammer of the revolver was still tilted and was in a state of shooting at any time; in order to achieve this effect, the Persian shop The shopkeeper had to reload the gun manually, but the plot was not the case.
When the Asian illegal immigrants were rescued from the van, we noticed that the cage door inside the van was open; in the next shot, the cage door was closed; this is also impossible, because at this time The door outside the truck is closed, and it is impossible for anyone to go up and close the cage door. 
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Extended Reading
  • Shannon 2022-03-25 09:01:05

    06 Best Picture Oscar (beat Brokeback Mountain). Paul Haggis's script is too ingenious. Despite the large number of characters and the complex narratives of multiple lines, the impression is very refreshing. The dazzling cross-editing is accompanied by sad and gentle music, and the rhythm is excellent! This film is not only about racial discrimination, but also a panorama of contemporary urbanites. May there be less collisions and more encounters in the world, and may everyone put on the invisibility cloak of a little girl. (9.0/10)

  • Ethel 2022-03-24 09:01:12

    152 One of the best movies I have watched this year~ Some things are that the various plots of this film that cannot be easily expressed in words are mixed together. I cannot just translate Crash into a crash, but I really can’t think of how to translate it. A good movie can make people forget the existence of time~ PS: Tucao: Who would dare to live in the United States after watching this movie? It was either robbed by blacks or by white police. . .

Crash quotes

  • Peter: Get the fuck out of the car!

    Anthony: Give me the keys!

  • Graham: That is a nice gun.

    Ria: Well, the car is registered to a Cindy Bradley. And that's not Cindy. That is a William Lewis.

    [hands him a wallet]

    Ria: Found under the front seat. Hollywood Division.

    Graham: Looks like Detective Conklin shot himself the wrong nigga.

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