"Colombiana" is a light movie. The plot is relaxed and exciting, killing people is like dancing on the keyboard, every step is accurate, and there is a ding-dong sound. Although there is no shocking scene that is unforgettable for a long time, it does not deliberately cry. The director used front and side close-up shots when the gangster and the little girl Karalea were in a stalemate. The black little girl sat at the table, staring at the sinister and seductive gangster on the opposite side, her face passing by like "a breeze across the lake". Questioning, confused, thinking look. Such close-ups also make the audience see her pitiful and beautiful, black and white eyes, and are full of sympathy for her.
After growing up, Karaleya made full use of the feminine flexible body, among the sparks and sparks, to complete an unbelievable revenge action. This period of nearly ten minutes of killing design, cleverly conceived, refined and wonderful is a long-lasting unforgettable. With the help of the shark killing scene, it shows that Karalea, the black civet cat, is skilled in calculations and dedicated to revenge, and it has been unstoppable. Her road to revenge is like a murderous dance. Compared with these two paragraphs, the battle of revenge in the last scene is rather dull. The close combat and single-handedness of the hard bridge and hard horses are always inconsistent with such a dexterous woman. Her wisdom seems too extraordinary
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Although the film is also full of common elements such as gangsters, vendettas, villains, and double-faced policemen in the film directed by Luc Besson, the cliché story of revenge for parents is flat and unremarkable, and it is more rhythmic. From the " Taken " series, there is a big difference. There are a lot of action scenes in the film, but there are no new highlights, and they are mostly fooled by fast editing, and the heroine's assassination method is even more single. They are all through drilling channels and climbing various pipeline channels.
Although the film has joined the love scene, it is a bit blunt and abrupt, not as good as Luc Besson's similar theme " Nikita ". In addition, there is little suspense in the whole film, and even the process can be guessed right. The only thing to watch is Zoe Saldana, the heroine who played the role of Princess Neville in "Avatar". In this film, she constantly undresses and changes clothes. She doesn't like to wear underwear. She has a graceful body and long legs jumping up and down. , Always showing a young and compelling figure, adding a touch of brightness to this mediocre film
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