Collateral Beauty evaluation action

2021-12-21 08:01
At the end of the film, even if you are hard-hearted, you will be touched; but even if you are a bit of a movie, you will feel as if you were fooled by the movie.
"Collateral Beauty" appears to be hypocritical and deliberate. The film impacts the audience with new-age philosophical thinking, and it eagerly wants to be recognized as far-reaching.
The film is superficial and unbearably sad; it is not easy to achieve this, but it is also impossible to praise .
The concept of this film is very interesting. By chance, the three drama characters have contact with the protagonist played by Willard Christopher Smith Jr, but from the beginning of the identity of these three characters, one can feel that the film will appear empty. After watching the whole film, I really didn't spend too much time on shaping the intersection of these three characters and the protagonist. In the end, the imagery ending is very blunt. And at the end, it is easy to confuse who is the protagonist. In the six scenes where the virtual character came into contact with Howard, they were all too much to stand up to scrutiny and kept blowing out bubbles of lies that burst at the touch of a touch. Only Howard foolishly believed the whole movie, but the audience became more embarrassed as they watched it. And the protagonist also quickly believes that there is no turning point and no conflict during the period, and it is smooth as water, making the whole drama almost without any sense of conviction in the emotions   .
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Extended Reading

Collateral Beauty quotes

  • Howard: [from the trailer]

    [Brigitte shows up beside him in the subway]

    Howard: You're not going to take me, are you?

    Brigitte: [as the personification of Death] No, Howard.

    [holds up a train card]

    Brigitte: I'm here to ride the F Train.

  • Raffi: [from the trailer]

    [as the personification of Time]

    Raffi: Remember me... I'm Time... I'm a gift... and you're wasting it.

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