The film takes the overwhelming female celebrity as the protagonist and describes the relationship between the female celebrity and the female assistant. The delicate and sensitive director Asayas uses a very clever theatrical structure to show the slightly tragic destiny of "the waves behind the Yangtze River pushes the waves forward" Cycle, in this irresistible cycle, the experience and heart of an actress are presented to the audience. The boundary between the false and the real, the real and the real, is well grasped, the plot is clear, where the two are in the play and the real life is clear, but the emotions are vague, and the secret connection between the emotions makes you walk in the lines and The characters between the realities reach a subtle resonance, and the charming empty shots connect the metaphors inside and outside the play. The interpretation of the violent female star, Binoche's stubbornness and sensitivity exudes a vague, "no madness, no life" atmosphere, which makes the author even more admired. In addition to personality analysis, "Sils Maria" also slightly satirizes all the bad habits of the show business: the unspoken rules of directors and actresses, vanity and seniority, snobbish interpersonal relationships, etc.
As a story unfolding in the artistic atmosphere of film and drama, director Olivier Assayas successfully interprets the simple plot with ingenious play in the drama, exquisite and rich in layers. As time goes by, the protagonist Maria needs to face her present self while confronting the past. In the process of self-searching for the actor, Assayas also vividly demonstrated a real showbiz star’s life world, as well as mocking celebrities, social networks, and Internet information, making the theme that might have been heavy and interesting. Aftertaste.
The film uses a tactful, gentle, and fresh way to show the complex phenomena of the show business. In the film, the three women staged a complex relationship between the real, the real and the real, which brought layers of progressive conflicts in the drama. Juliette Binoche's "play in play" is quite exciting and has become the biggest highlight of the film. The meticulous and emotional performance of the characters shows her solid acting skills. In terms of flaws, in addition to Stewart's acting skills appearing shabby against Binoche, the film's layout of the story is always far-fetched, and some turning parts are directly used with black screens, which is more rough and not particular.
