The reporter's view of the information turns into Kane's childhood through dissolving: Kane is playing with a small sled carefree on the snow. When the camera is opened, Little Kane becomes the background scene. In the foreground, the mother standing in front of the window, the window, and the mother walks to the foreground and the banker talks about Little Kane's fate at the table. The camera slowly opened. From Kane to his mother and banker, the picture gradually changed from a single level to the front, middle and back scenes, and the tone transitioned from a single black and white to black and white gray. This in-depth shot brought little Kane’s happiness He freezes his childhood and displays the activities of the three adults in the foreground at the same time. Little Kane's fate has been negotiated by his parents and the banker, but he doesn't know it. He is about to transform from a simple childhood to a complex adult world. The sleigh is buried in heavy snow, symbolizing the disappearance of his childhood. This shot provides the audience with a rich imagination.
Citizen Kane Depth of Field Shot
2021-10-18 09:27
Extended Reading
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Gaetano 2022-03-25 09:01:05
After reading Zhou Liming’s long review, look at those who only pay attention to narrative or who didn’t hit five stars because of pretending to be cunts, ha ha...
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Sarah 2022-03-22 09:01:08
About "Citizen Kane": a fledgling director, an alcoholic screenwriter, an enterprising photographer, a group of New York drama and radio actors, after obtaining comprehensive creative resources and freedom, they completed this film history together. classic. About Kane: This is Kane who fabricated facts with news, Kane who hates monopoly capitalism, Kane who gave up his marriage and political career for his lover, and Kane who entertained thousands of people but died alone. Regarding the "rose bud": the rose bud symbolizes a person's sense of security, hope and innocence in his childhood, which makes people wish to find it in a lifetime. It was the green light of Gatsby Wharf; it was the snow leopard looking for unknown on the top of Kilimanjaro; it was the leg bone thrown into space in "2001: A Space Odyssey". That is the childhood longing that adults know how to suppress in an instant. "—Roger Eber wrote really well.
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Charles Foster Kane: Hello, Jedediah.
Jedediah Leland: Hello, Charlie. I didn't know we were speaking...
Charles Foster Kane: Sure, we're speaking, Jedediah: you're fired.
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Charles Foster Kane: Well, I always gagged on that silver spoon.