Changeling evaluation action

2022-01-25 08:07
From the perspective of the character setting and main plot of the film, "The Suspicious Cloud for Children" is a heroic film work of individuals resisting power, but its deep connotation points to the revelation and criticism of patriarchalism. This implicit critique of this work unfolds layer by layer from the three levels of private family living space, social public activity space, and religious theology, and gradually deepens. The indomitable posture was revealed. The work's reinterpretation of male "responsibility" consciousness and the implicit criticism of religious masculinity tends to enrich people's re-understanding of the relationship between men and women. Regrettably, the work's examination of androcentrism has not been able to break out of the dualistic gender framework, which makes the work have a critical depth, but it lacks the value of construction.  
In addition to the "truth" of the film, Clint Eastwood was very ambitious in his handling of "The Suspicious Cloud". As the story progresses, the film constantly changes its genres and themes. At first it seems to be about children. The missing criminal film, but at the same time, through the "adjustment" of children to accuse the Los Angeles police of bad manners of acting in order to improve the image, disregard the truth, full of lies, ignoring the interests of the people, and acting with power. As the story progresses, the heroine sees the unfair treatment of women and the underprivileged by the Los Angeles police, and begins to actively resist, and insists on acting as a representative to declare war against the corrupt and powerful forces and seek justice. At this time, the movie seems to have become again A film about women's struggle with a strong feminist color. Portraying a female hero and exposing the darkness of the law enforcement agencies at the time have also become the focus of the story. However, similar content is not uncommon in past films. In view of this, "Suspicious Clouds for Children" is a high-level film art film. It still has an Eastwood style, but it is hard to refresh.
Even if it can no longer bring an Oscar for Clint Eastwood, it is definitely a boutique. It shows Clint Eastwood’s ageless sword and rigorous pursuit of art, and also shows his insight. Unique. Watching "Suspicious Clouds for Children" is a rich emotional journey, depressing and worrying. Perhaps there is not much insight and content to be discussed from it, but the brain and heart will carefully craft the appearance of this movie in these two and a half hours. , The content of the turbulent story is firmly tied up, after watching it, there will be a kind of exhaustion after the mental marathon, and the ending does not make people feel relieved.  
The film clarified the ins and outs of the whole matter through the description of the mother and the killer, and finally brought the two clues into one. The film involves various themes such as maternal love, willfulness, legal system, society, etc., and it is handled very well, without any blunt carvings or possible modifications. In the objective and low-key narrative, the connotation that the film wants to express naturally reveals  
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Extended Reading

Changeling quotes

  • Christine Collins: Why would they do this?

    Rev. Gustav Briegleb: To avoid admitting they made a mistake when they brought back the wrong boy. Of course, anyone reading the newspaper with half a brain would see through it instantly. Sadly, that would exclude about half the readership of the Times. Mrs. Collins, I have made it my mission in life to bring to light all the things the LAPD wish none of us ever knew about. A department ruled by violence, abuse, murder, corruption and intimidation. When Chief Davis took over the force two years ago, he said...

    Chief James E. Davis: We will hold court against gunmen in the streets of Los Angeles. I want them brought in dead, not alive, and I will reprimand any officer who shows the least mercy to a criminal.

    Rev. Gustav Briegleb: He picked fifty of the most violent cops on the force, gave them machine guns and permission to shoot anyone who got in their way. He called them the Gun Squad. No lawyers, no trials, no questions, no suspensions, no investigations, just piles of bodies. Bodies in the morgues, bodies in the hospitals, bodies by the side of the road, and not because the LAPD wanted to wipe out crime. No. The LAPD wanted to wipe out the competition. Mayor Cryer and half the force are on the take: gambling, prostitution, bootlegging, you name it. Because once you give people the freedom to do whatever they want, as the Lord found in the Garden of Eden, they will do exactly that. This police department does not tolerate dissent or contradiction or even embarrassment. And you are in a position to embarrass them and they do not like it. They will do anything in their power to discredit you. I've seen it happen too many times to start going blind now. That's why I wanted to meet you, to let you know what you're getting yourself into and to help you fight it, if you choose to.

    Christine Collins: Reverend, I appreciate everything that you're doing and everything that you said, but I'm not on a mission. I just want my son home.

  • Dr. John Montgomery: He had two cavities that needed filling. He put up a fight, but I took care of it.

    Christine Collins: And?

    Dr. John Montgomery: Your son's upper front teeth were separated by a small tissue, a diastema. It made them sit about an eighth of an inch apart. The boy in that room has no such gap.

    Christine Collins: Can that change with age? Because that's what they're going to say.

    Dr. John Montgomery: In some cases, yes, it's possible. But the tissue between Walter's teeth prevents that from happening. You see, they can never come together without an operation to sever the tissue, and I can tell you right now that he has never had such an operation.

    Christine Collins: Would you be willing to put that officially in writing?

    Dr. John Montgomery: Pardon my language, but hell yes.

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