Japanese directors are good at portraying ordinary characters through exquisite techniques, in order to exaggerate the style of life perception, which is continued in "Tea No Taste"-leading the trivial life of a family of five in the Japanese countryside to the road of perception of the true meaning of life
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"Tea No Taste" walked away from the hustle and bustle of the bustling city and walked into a remote mountain village in Kyoto. In the empty shot: surrounded by green hills, clear water and clear sky, ambiguous cherry trees, green terraced fields, the Haruno family of six lives leisurely and comfortably. However, these are just high-sounding gimmicks. Because of the director's deep-rooted anime complex, the plot quickly destroyed the classical flavor that was previously painstakingly created. When the surreal scene of a galloping train leaping out of the forehead of a young man in the story, the style of the film becomes nondescript. The little hooligan who died of defecation on top of his head, the neurotic little girl fantasizes about big monsters from time to time, two cosplayers on the tram, and many absurd or black or boring sections. Although there is no lack of creativity, they seriously disturb the style of the film.
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