There is a witty inherent humor in the film. Director Sean Ellis successfully added time to the film, giving the protagonist a broad story background, thus grafting a romantic love story into the plot
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The poem-like lines and realistic paintings in the film are naturally natural. The bright pictures and the sad mood complement each other. The film story is extremely simple but extremely appealing. The humorous sections that make people smile can be found everywhere. The overall atmosphere has turned into a disharmonious beauty. It is obviously a melancholy story, but there is always a bit of playfulness. It is clearly a clean world, but you can always see the dirty dust and smoke. The film interactively uses realistic and freehand techniques, and many of the time-still pictures are full of fun. The film is a song of broken love. The protagonist struggles in the memories that he can't leave and the real world that he can't escape, and finally turns around and finds true love again. Maybe the director wants to tell the audience a truth: love may not be eternal, but love is eternal
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Looking at the above description of the film, there may be many viewers wearing colored glasses for the film, but the film is far cleaner than it sounds. From the concise short film to the 102-minute feature film, the director completely retains the essence of the supermarket paragraph, while the original big boy’s fantastic fantasy in the supermarket is transformed into a story of treatment of broken love. In this regard, the audience not only has some slight remarks about the plot’s direction, but also behaves. Quite tolerant
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