The story of "Camille Claudel, 1915" takes place in a closed mental hospital, and the camera is low-toned, like the depressing sound of a cello. Director Bruno Dumont used a traditional French film style to portray the hearts of a generation of talented women, a tragedy in which a life carved by love gradually withered. Through the camera, the director watched Camille go to the doomed road like a moth to a flame. There is no soundtrack in the whole film, and it is as indifferent as the temperature of the north and south poles. In the director's shot, the monotonous corridor, the black and white floor tiles, the thick black robes of the guardians, and the narrow sky on one side, all of which make people feel on pins and needles. claustrophobic space transfer.
Bruno Dumont removed the magnification and beautification of art, returned to history, and restored the authenticity. He chose to express his sympathy for Camille in an indifferent way. She is lonelier than fireworks, and her withering is enough to make people feel impermanent
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