Call Me by Your Name evaluation action

2022-01-27 08:05
The postcard-like scenery of the Italian countryside in the film is impressive. Guadagnino and the two screenwriters James Ivory and Walter Faso still maintain a complete story. Unlike the original work, the film does not tell the story of these characters spanning 20 years, and Ellio’s parents’ reaction to this forbidden love is also different. The film finally uses a touching but slightly lengthy scene to show the father’s love and a person. Health advice.
The film portrays a full-strength homosexual love with a proficient way of expressing lust. Amy Hammer presented a confident and eye-catching performance to the audience.
Unlike many same-sex movies, "Call Me by Your Name" does not describe how homosexuals are discriminated against and how to fight their sexual orientation. The whole movie is as sweet and sour as plum soda. Summer love atmosphere. The stamina of the film is long, and after watching it for a period of time, it will make people breathless, full of worries that "the good things in the world are not strong, and the colorful clouds are easy to disperse and the glass is brittle." As a romance film, almost everyone can find their own shadow in the film.
The film is a sophisticated work. The director has mastered his style of high-speed editing and eye-catching close-ups. The rhythm of the film is very suitable for the hot Italian summer in the film. The details of the film are very special, and the trust and power possessed by the characters in the film will make ordinary audiences who are not familiar with it feel very rich. It is this kind of film craftsmanship that will let people know that the film can use an almost spiritual perspective to create resonance.
The film takes the subject of homosexuality to a new level. The most impressive thing is that, in fact, it can not be included in the category of gay movies at all. At least its audience should not be limited to LGBT groups. This film should first be a work about first love. The theme of first love surpasses the homosexuality between the two protagonists, which has many similarities with "Moonlight Boy".
The performance that really stood out in the film came from 21-year-old Chalamet. He played Elio has many "firsts" in the film. He doesn't have too many lines, but Chalamé uses his own facial and body language to transform this character into a character that everyone can understand at a glance. people. The last few minutes of the film without a line of dialogue is a rare close-up shot of Ellio in the film. This shot is very attractive. The chemical reaction between the men is obvious, but more importantly, the two actors can convey the complex feelings, expectations and thoughts between the characters without opening their mouths.
The film is a work full of literary and artistic style. There is no lack of links to themes such as art, literature, poetry, actors, Jewish identity, etc. The lengthy outdoor picnic shots, meticulous choreography and ripe fruits studded with branches make you intoxicated, and the ripe peaches are even more fascinating. It is a metaphor for taboo love. The film reproduces the beauty of the Italian countryside in 1983, which is also an unexpected surprise. The scenes in the film look like time has stalled. The hot summer seems to be endless. As the camera pushes and the temperature rises, the audience will naturally look forward to the hotly discussed sex scene. Disappointingly, the director reduced this moment and finally focused the camera on the tree. In a year of breakthroughs in gay movies, filmmakers are still deliberately avoiding gay sex scenes.
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Extended Reading

Call Me by Your Name quotes

  • Annella Perlman: [Reading from The Heptaméron] A handsome young knight is madly in love with a princess, and she too is in love with him, though she seems not to be entirely aware of it. Despite the friendship that blossoms between them, or perhaps because of that very friendship, the young knight finds himself so humbled and speechless that he is totally unable to bring up the subject of his love. Until one day he asks the princess point-blank: Is it better to speak or to die?

    Elio: I'll never have the courage to ask a question like that.

    Mr. Perlman: I doubt that. Hey, Elly-Belly. You do know that you can always talk to us?

  • Oliver: Is there a bank in town? I'd like to start an account while I'm here.

    [accidentally breaks his soft boiled egg]

    Mafalda: [in Italian] Let me do it.

    Oliver: [in English] Sorry.

    [Mafalda cracks open another egg for Oliver]

    Mr. Perlman: It happens to the best of us.

    Oliver: Yeah, well...

    Mr. Perlman: [chuckling] None of our residents has ever had a local bank account.

    Oliver: Really?

    Elio: Should I take him to Montodine?

    Mr. Perlman: I think they're closed for summer vacation. You try... Crema.

    Elio: Crema?

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