Director Marcelo Piñeyro combines the two elements of love and robbers in the film. The homosexuality of Naylor and Angel can be understood to some extent as a sublimation of male friendship. A parallel montage is used in the film. In the fire, the two kisses, hugs, and burns the looted money. This is a strong anti-social image. The film also emphasizes the beauty of men, and there are many naked male scenes, which are full of masculine beauty. The film's identification with homosexuality almost reached a level of praise
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The film is a traditional commercial film, and its success lies in the director's use of traditional police and criminal film format to package homosexual themes, breaking the binary boundary between homosexuality and heterosexuality
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