"Neighborhood Boy" is mature and sophisticated. It is an American film with great practical significance. It presents the aesthetics of black realist movies and is an encyclopedia of black neighborhood issues and morals. The film bravely confronts the disturbing black slum life, and guides the audience to pay attention to the family disability, racial discrimination, community crime, juvenile parents and other problems faced by the growth of black youth. Not only that, the film also tries to propose a possibility to change the fate-the influence of the father on the child. The only image of the father, Foresee, appears in the film, which entrusts the director's realistic expectations of changing the fate of young people in the black community.
Boyz n the Hood evaluation action
2022-02-10 08:01
Extended Reading
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Eryn 2022-04-24 07:01:05
A good black movie style that hits the audience's heart with realism
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Jillian 2022-03-26 09:01:04
An excellent black social issue film does not blindly exaggerate endless grievances and vendettas, but directly points to the core crux of black issues through the multi-level and detailed portrayal of growth trajectory, family relations and social conflicts, and has profound and unique insights.
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Tre Styles: [knocking on Sheryl's door] Sheryl! Come on!
[Sheryl enters]
Tre Styles: Keep your baby off the street. She gonna get hit one of these days.
Sheryl: You got some blow? You got some rock? I'll suck your dick.
Tre Styles: Just keep the baby off the streets! And change her diapers! They almost smell as bad as you.
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Chris: I tell y'all where y'all need to go, where they got more women than anywhere. Violence too.
Monster: Crenshaw Sunday nights?
Chris: No.
Doughboy: Street races on Florence?
Chris: Nah, nigga, y'all way off! I give y'all a hint: Everybody's been there.
Monster: Where?
Doughboy: Where, nigga? Spit it out!
Chris: The church.
Doughboy: Aw, shit! Nigga, please! Ain't nobody going to church to catch no bitches. I should roll your ass up off this porch with that stupid shit!