The film's narrative techniques are clear and smooth, and the conflict settings are properly grasped, without any artificiality or deliberate sensationalism. For the emotional pursuit of contemporary young people in China, Wu Ming uses a frivolous method to edit life clips. Although the excavation of cruel reality is not deep enough, the fresh atmosphere created is still better than that of other directors of the same generation
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In the film "Beijing Bicycle", which reflects the bitter youth, Gao Yuanyuan's pure, sweet and clean image swept away the haze that the film brought to the audience's heart. The director tries to tell the audience through several beautiful shots that when facing the embarrassing and desperate real-life situation, they must maintain a constant pursuit of beautiful things
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Various imagery appears in the film to allude to urban life and the contradictions between urban and rural areas. The most important thing is the bike. The name of the film is "Beijing Bicycle", and the whole story also revolves around the city. In the film, a bicycle is by no means a bicycle in the physical sense, it refers to a way of life, and the attitude towards bicycles reflects social differences. Through the different attitudes of the two to the image of bicycles, the director reflects the difference in the lives of urban and rural people, even if it is the difference between the urban people at the bottom. The director focuses on the age when 17-year-olds meet the age of rural people entering the city for the first time, and also uses the shattering of the 17-year-old dream to contrast the difficulties of rural people integrating into the city and the huge difference between the city and the countryside. Expressing emotions through the symbolic setting of images is more vivid and concrete than expressing emotions directly through language
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