The film is so beautiful that it is difficult to conceal the vulgarity of the storyline and the thinness of the characters' facial makeup. The killer retreats intentionally but is unable to return to the sky, the formulaic character's inner transformation does not see the process, and some are just a good or bad ending in an instant. And Charlie Yeung first shock of Hollywood "vase" image and Nicolas Kim Coppola that stretched the Kudachoushen face is not enough to write a complex emotional character changing.
Lionsgate, which has always been good at distributing small films, also became a "silent fire" this time, and did not make any publicity for the film at all, resulting in few people knowing that the film was released. The film does not have any Oscars, but technically there are some points worthy of recognition, and the better point is that there are not many bloody scenes. The film is not as rich in connotation as the original version, only an empty shell. The film's creator made Bangkok a weird place.
The film is a boring action film that can be viewed at a glance, and there are not enough killing images to satisfy kung fu fansreviewed The film reveals a sad fact that the former energetic and intelligent actor is now completely controlled by his inner immaturity. The film is a fashionable but blunt thriller. A few sets of dazzling footage cannot conceal the inherent stupidity and ignorance of the film.
The film adds a lot of seasonings from Thailand to Hollywood's classic lonely killer scene, but it only adds a little flavor. The film changed the original fighting scenes, adding higher-decibel shooting scenes and storytelling to make it more sentimental at certain moments. But because of the above modification, the original flavor was lost, and it became a bit embarrassing. Most of the shots of the film are oppressive and suffocating. Even a few shots taken during the day still seem to be shot on a humid, dim night of death.
