"Avengers 2: Age of Ultron" is a very realistic, effective and entertaining film. It is a mixture of dragons and snakes, 100% popcorn movies, lively and endlessly moving, with many characters. Dizzy. Director Jos Weeden handled it quite well and supported the entire movie with several important scenes. Among them, he has balanced the roles of different heroes, both personal performance and timely confrontation, and at the same time aggravated the human touch. The last city in the sky, with visual effects and catastrophic design, saves the latter from worrying about narratives and characters, especially highlighting the difference between heroes and villains, which is superficial but useful. ()
The bigger the bigger, the more boring, obviously not the original intention of the main creator. In fact, "Avengers 2: Age of Ultron" is more personal than the first film by director Jos Weeden, who injects some personalized cold humor and geek elements into the film. This is one of the first box office bombs that have become a global hit, and the benefits brought by the increasing success of Marvel movies. Sometimes benefits may not be a good thing. The director’s personality and the big scenes of blockbuster films must be offered. If they cannot be successfully combined, they will each other. demolition. The opening scene of the film is a big scene action scene, rushing directly to the climax, then falling into the bottom of the conversation, and then continuing the big scene, repeating it, and finally ending with the ultimate big scene. There is no balance between literary play and fighting, which makes the rhythm uncomfortable and tormented. Jos Weiden’s personal pursuit has counterproductively intensified the density of urine points created by the imbalance. ()
