The title of "Höstsonaten" opens up a new vision that defies the film form, music plays a key role in this film, and the film's extensive voice-over makes people consciously aware of the audience's identity, while using the The common technique used in Elizabethan stage plays is to "discover the scene," and the scene in which the heroine Charlotte appears has an oil painting-like quality. There are many stable and unforgettable scenes in the film, the characters are complex and clear, and the characters are clearly portrayed through many hidden details that happened in the past. The film’s cinematography seems simple, with little to no fast movement and panning shots, but the baroque classicism is clear and rigorous, with soft colors, oil-paint-like images, recurring mid-to-long shots, and calm editing. become the main feature of the film. The film explores different types of expressions, especially in the shaping of the character Charlotte, which completely uses artistic techniques to express the character's heart
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"Höstsonaten" is rather dull. Director Ernst Ingmar Bergman is actually good at making films about family conflicts and human analysis, but the shooting technique in this film is lackluster. Too long dialogue, the protagonist's self-talk when he is alone in a room, and the camera always stays on the narrator's face for a long time, unable to let the audience understand the listener's feelings and facial expressions
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