Apocalypse Now Shooting Highlights

2021-10-13 18:32
George Lucas was initially determined to be the director of Apocalypse Now, and he got the script from John Millius. Lucas originally planned to make the film into a semi-documentary form, set in southern Vietnam where the war is still in full swing.
Francis Ford Coppola was originally the executive producer of the film. He tried to make a production plan business with Warner Bros. After the deal failed, he began to invest in the filming of "The Godfather" (1972).
In the fall of Saigon in 1977, Lucas was already busy shooting his "Star Wars", and Milius had no interest in the film. Lucas gave the coveted power to direct the film to Coppola.
Coppola believes that Marlon Brando must be familiar with Joseph Conrad's "Heart of Darkness", and that he is the best candidate for the film, and he is looking forward to the appearance of this legendary actor. Unexpectedly, Brando had never read "Heart of Darkness" or even knew its verses.
To make matters worse, Brando has become severely fat (Coates is repeatedly described in the novel as a tall, skinny man). Therefore, Coppola decided to take Brando's tall, cruel and savage adult appearance, and made sure that Brando's bulging general's belly would not appear in the lens.
In the scene where Willard gets drunk alone in his hotel room, Martin Sheen is indeed drunk. The drunken behavior of Xin that can be seen in the movie is his true reflection. When Xin broke the mirror, as shown in the movie, he did hurt his hand.
Coppola shot nearly 200 hours of motion picture film for the film. The original filming plan was six weeks, and the result lasted 16 months. In order to film the scene of the devastating typhoon, it was delayed for several months.
Francis Ford Coppola lost 100 pounds during filming.
Coppola spent nearly three years editing "Apocalypse Now", and when it was almost finished, he realized that Martin Sheen should add some narrative voice-overs to the film. However, Xin couldn't spare any time to dub at that time. Coppola asked his brother Joe Eastwoods to help.
When Sim suffered a heart attack during shooting in 1976, Eastwoods also acted as a stand-in for Sim. But Eastwoods did not leave a name on the credits because of his work.
In May 1979, the film won the Palme d'Or at the Cannes Film Festival, becoming the first unfinished film to win this award. Since the opinions of the Cannes jury could not be unified, they shared the best picture award with Schrondorf's "Tin Drum". 
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Extended Reading
  • Clarissa 2022-03-25 09:01:02

    When Kurtz appears on the screen as a real person, is the film rebuilding the history of the Vietnam War and even the legitimacy of human civilization? In the process of approaching Kurtz, Willard reshaped Kurtz's meaning to himself in the form of words. Is this the establishment of a belief or an imagination of temptation? In the end, Kurtz was executed by a passivated human weapon. The fall of the "god" is the same as the birth. Does the absence of the picture lead us to believe in another "spectacle" that cannot be presented? Does the nihility revealed by the dissolving lens that constantly appear in the movie belong to the same kind of "nihility" described by US military officers? How does this vast rainforest compliment the mutual imagination of the East and the West at that time and now? When watching this movie, can the audience withstand the reverse stare of the character? Where should the answer be found?

  • Lucinda 2021-10-20 18:58:46

    Coppola: "The Godfather" adopts a classical style. Each shot is like a brick in the overall structure of the scene, and the scene becomes a beautiful brick wall design. Gordon Willis believes that a shot should not be all-encompassing , Otherwise there is no reason to switch to another lens. On the other hand, in "Apocalypse Now", Vittorio Storaro expects the lens to be like a moving penholder, sliding from an image element to an element. In the end I turned to Sophia Explain to myself, the lens can be like a word (the former)...but it can also be like a sentence (the latter).” ("Future Movie")

Apocalypse Now quotes

  • Willard: It's a way we had over here for living with ourselves. We cut 'em in half with a machine gun and give 'em a Band-Aid. It was a lie. And the more I saw them, the more I hated lies.

  • Lance: Disneyland? Fuck, man, this is better than Disneyland!

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