"Antichrist" is a beautiful but sensational movie. The film uses a layer of pseudo-Christian fables to distort a normal person’s thinking about the good and evil of human nature.
"The Antichrist" has too many allegories in the film. The husband, from the head of the family who dominates his destiny and is full of rationality, suddenly becomes a victim who is at the mercy of others. From this perspective, the man who is the master of modern society is like the "Christ" of women, and the antichrist is the resistance of women to men, and even killing. The film has the most cruel violence, the most naked sex scenes, the director repeatedly tortured the audience's visual nerves, only to draw a grand proposition equal to Watching Christ. The audience's viewing process changed from panic to admiration. The director took the depressive atmosphere to its extreme, and then used an extreme explosion to break the opposition, and he did not hesitate to face the male and female protagonist's self-mutilation. The sexual organs themselves are totems with social status for men and women. Women who want to control men, except for children who are the result of erotic desire, are violent and terror without warning.
Certain scenes are actually beautifully shot, with elegant slow-motion shots, perfect black and white composition, and opera excerpts. No one would have thought that a wife who enjoys sensuality will become so cruel. In this forest integrated with women, the mother nature is anti-Christian. In front of countless women with unfocused tree roots and arms, the male Christ can only choose to flee and exile to his own territory—modern society. Through the extreme situations of human nature and maternity, it can counteract religion, shred the normal values and family structure, and force the audience to eliminate the most direct pain.
