An American in Paris evaluation action

2022-02-07 14:45
The film is a classic in the history of American cinema. It combines modern dance, ballet, song, music and painting with a simple love story. Gershwin's music, Gene Kelly's dance, Minnelli's The director is the magic weapon of the film's success   .
The group dance scene in the last 17 minutes of the film is magnificent and gorgeous, even after many years, it is a rare singing and dancing scene. Gene Kelly integrated these 17-minute dance steps into ballet and tap dance elements, especially interspersed the rhythm of cha-cha in classical ballet, adding a bit of playfulness and dynamic to the elegant and graceful ballet. The two main dancers performed this unprecedented dance pattern vividly and naturally. The light and bright songs in the film are also very consistent with the tone of the film  .
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Extended Reading
  • Maximillian 2022-03-21 09:03:14

    The choreography of the plot is full of self-righteous cleverness, which perfectly matches the temperament of the hero and the "American in Paris" temperament. The fact that the musical is full of flowers does not mean that it has to dance naively out of the narrative situation. The most unbearable thing is, if you are from the visual department, why did you hire such an ugly heroine... From the looks to the lines to the characters, there is not the slightest bit of cuteness.

  • Eloy 2022-03-26 09:01:13

    The bouncing and jumping is not cute, the plot, the fake characters, the fake stage, the fake stage, and the fake is so unreliable that even the makeup is so unreliable. The scenes inside are probably made out of the scenery? Speaking of which, I admire you enough to make Paris look so ugly. The main reason for giving 1 star is that I think the colorization of this film is a failure. The immaturity of the technology makes color films before the 1960s only have two fates: one is an immortal classic and the other is an immortal classic. a disappointment

An American in Paris quotes

  • Jerry Mulligan: Where is everybody?

    Milo Roberts: Here.

    Jerry Mulligan: Downstairs?

    Milo Roberts: No, here in this room.

    Jerry Mulligan: What about that extra girl?

    Milo Roberts: That's me.

  • [first lines]

    Jerry Mulligan: This is Paris, and I'm an American who lives here. My name: Jerry Mulligan, and I'm an ex G.I. In 1945, when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.

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