Amour evaluation action

2021-12-18 08:01
"Amour", from the perspective of marriage, the movie shows the things that are related to marriage in the ultimate way. The 70-year-old director Michael Hanek tells about a couple, Anne and George, who are over eighty years old, both of whom are educated retire music teachers. Anne lost the ability to live after apoplexy, and George had a hard time walking and had to take care of his wife and maintain. Live a clean and noble daily life, maintain dignity when there are musicians and students visiting, and maintain dignity when the daughter cares. Annie didn't want to continue to toss about her illness and self-esteem, and George used a pillow to suffocate her wife. The director uses a documentary-like simple, calm, and powerful style to present the old couple enjoying the beauty of literature and music together, the warmth of caring for the disease, and the fatigue and annoyance of a long illness. Through "Amour", everyone can see the fear of old age, and every couple can see the ultimate completion of their marriage.
After all, marriage is a kind of companionship, and fulfillment is the bottom line and the ultimate state. There are various kinds of stable marriages. It is not unusual to know each other and understand each other, and it may not even be important. The most rare thing is completion.  
"Amour" has received good reviews from the media because of its cold and true expression. The film is called the Elegy of Amour. The perfect performance of the actor makes the film not so sad. However, Michael Haneke still uses the real aging, illness and death to make the ultimate consideration of Amour's love. Detection. Like his last Palme d'Or movie "The white ribbon Campaign" , this movie is also full of moral and conscience choices and tortures
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Extended Reading

Amour quotes

  • Anne: What would you say if no one came to your funeral?

    Georges: Nothing, presumably.

  • Georges: [telling a childhood memory] ... some banal romance or other about a nobleman and a lower middle-class girl who couldn't have each other and who then, out of sheer magnanimity, decide to renounce their love - in fact, I don't quite remember it any more. In any case, afterwards I was thoroughly distraught, and it took me a bit of time to calm down. In the courtyard of the house where grandma lived, there was a young guy at the window who asked me where I'd been. He was a couple of years older than me, a braggart who really impressed me. "To the movies," I said, because I was proud that my grandma had given me the money to go all alone to the cinema. "What did you see?" I started to tell him the story of the movie, and as I did, all the emotion came back. I didn't want to cry in front of the boy, but it was impossible; there I was, crying out loud in the courtyard, and I told him the whole drama to the bitter end.

    Anne: So? How did he react?

    Georges: No idea. He probably found it amusing. I don't remember. I don't remember the film either. But I remember the feeling. That I was ashamed of crying, but that telling him the story made all my feelings and tears come back, almost more powerfully than when I was actually watching the film, and that I just couldn't stop.

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