American Hustle evaluation action
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Luigi 2021-10-20 19:00:06
The Olympiad films in recent years have become more and more homogenized. Almost all are adaptations of social events and news figures, combined with neat narratives, proficient techniques, accompanied by pseudo-sensational expressions, and then pull out gorgeous The cast of casts, in short, is specially tailored for the Oscars and aunts, with a flattering face. But I have to admit that all of them are good works with assembly line and humanistic care, but the probability of classics is also smaller.
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Stanford 2022-03-23 09:01:08
The 81/100 formalist film masterpiece does not pursue realistic details, but focuses on stylized dialogue, symbolic sound effects, meaningful photography and scene scheduling (these conscious processing can be seen everywhere in the film). This type of film emphasizes entertainment and emphasizes aesthetics, which will make audiences who pay attention to realistic principles dissatisfied. However, I personally like this film very much. The performance of the actors alone makes people dreamy.
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Sydney Prosser: [On the phone] Who's that? Who are you with?
Richie DiMaso: Oh no, just people.
Richie's Girlfriend: [Across the hall] People? I'm your fiance. Richard!
Sydney Prosser: Oh, you've got a fiance, you're engaged.
Richie DiMaso: [Stammering] I don't-I don't-I don't have a fiance-I don't know-I don't know.
Sydney Prosser: You don't know? You don't know if you have a fiance?
Richie DiMaso: I don't. No.
Sydney Prosser: Interesting.
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Rosalyn Rosenfeld: I knew that Pete was going to go over there and knock some sense into your head. I've been reading this book Irving. It's by Wayne Dyer. The Power of Intention. And my intention in sending Pete over to you was that so you could come up with this plan. So, you're welcome.
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