Amadeus evaluation action

2021-10-18 09:27
"The Biography of Mozart" is the pinnacle of biopics, a sensational world-leading audio-visual enjoyment music film, a classic work with a profound insight into human nature.
"Mozart" is a rare movie, its almost perfect script, beautiful music, elegant images, extraordinary performances, dazzling directors, and fascinating stories all prove this.
The film "Mozart" uses flashbacks to show the bumpy life of the musical genius Mozart, and also shows the audience a human tragedy of "hate due to jealousy". The film eloquently speaks in Salieri's memories. He showed the audience a slutty Mozart, an informal Mozart and a talented Mozart.
"The Biography of Mozart" reflects the artistic innovation and imitation, the innocence and sophistication in life, the conflict between good and evil on the road of life, and reveals the sad fact that ignorance and lack of appreciation have killed genius in the history of human cultural development. The film reflects the crazy genius of Mozart through the perspective of court musician Salieri. Salieri was conscientious, but mediocre, and Mozart was very talented, but he didn't know how great he was. The jealous Salieri eventually killed Mozart, but on the other hand, he was the only person in the conservative Vienna music scene who could comprehend the essence of Mozart's works, and was Mozart's unique musical confidant. The two could have become Yu Boya and Zhong Ziqi in the West, but due to the jealousy of one party, both ended in tragedy. Jealousy, the most primitive gloomy psychology of mankind, has destroyed a good story that should have become a reality.
The film changed the tradition of portraying classical musicians as "perfect people" or "saints". It overturned the "golden movement" started by his wife after Mozart's death, and restored his imperfect life and perfect music. The contradiction between. This film won seven Oscars (57th) can be regarded as the biography of two musicians, in addition to Mozart, there is also his colleague Salieri. The film reflects Mozart's crazy genius through Salieri's perspective.
As a biographical film, the originality of the film is obvious. Generally speaking, biographies are the most difficult movie subject to break through in form. No matter how wonderful a person's life is, there is nothing more than a life-to-death narrative. Only the narrative structure of Mozart's Biography is unique and ingenious.  
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Extended Reading
  • Evert 2022-04-24 07:01:02

    BJIFF19 86/100 Religious film, Wolfgang is a mirror, showing the flaws of human nature, the loss of belief, and the misreading of God. The era is not worthy of genius. Creation is free and unlimited, and it must be in conflict with the essence of the aristocratic class. The film should also be about censorship. In the face of censorship, Wolfgang directly retains the traces of deletions for the viewer to feel for themselves. . The ending is almost a spiritual thriller, and I know this kind of horror after being urged to write a paper. More than 90% of indoor or stage scenes make this film very suitable for stage play, so the NTlive version that is faithful to the original is also very good. In fact, it is very popular and humorous, and the three hours of the cut version passed quickly.

  • Hilton 2021-10-20 19:01:06

    Only I understand you in this world, this is my glory, this is my sorrow.

Amadeus quotes

  • Antonio Salieri: [to Father Vogel] So rose the dreadful ghost from his next and blackest opera. There, on the stage, stood the figure of a dead commander. And I knew, only I understood that the horrifying aparition was Leopold, raised from the dead! Wolfgang had actually summoned up his own father to accuse his son before all the world! It was terrifying and wonderful to watch. And now the madness began in me. The madness of the man splitting in half. Through my influence, I saw to it Don Giovanni was played only five times in Vienna. But in secret, I went to every one of those five, worshipping sounds I alone seem to hear. And hour after hour, as I stood there, understanding how that bitter old man was still possessing his poor son even from beyond the grave. I began to see a way, a terrible way, I could finally triumph over God.

  • Emanuel Schikaneder: [to Mozart] Look, you little clown, do you know how many people I've hired for you? Do you know how many people are waiting?

    Constanze Mozart: [shouting] Leave him alone! He's doing his best!

    Emanuel Schikaneder: [to Mozart] I'm paying these people, don't you understand? I'm paying these people to wait while you do nothing! It's ridiculous!

    Constanze Mozart: You know what's ridiculous? Your libretto, that's what's ridiculous! Only an idiot would ask Wolfie to work on that stuff! 12-foot snakes, magic flutes?

    Emanuel Schikaneder: What's so intelligent about writing a Requiem mass?

    Constanze Mozart: Money! Money!

    Emanuel Schikaneder: She's mad, Wolfie. Write it down please. Just write it down on paper. It's no good to anybody in your head. To hell with your death mass.

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