All That Jazz evaluation action
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Milo 2022-03-24 09:03:36
Miniature New York 48' - 53' 90' - end/byebye my life
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Gillian 2022-03-21 09:03:15
A song and dance director's echo of his past life when he was dying. The song and dance in the film has become his fantasy and sustenance, and the fantasy scenes in the second half are about to fly. The overlapping of fantasy and reality, the opposition between debauchery and death, the ending was handled very coldly, and the previous song and dance became a ruthless irony in an instant.
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Victoria: Well, you're right. I'm terrible. I know I'm terrible. I look at the mirror and I'm ashamed. Maybe I should quit. I just can't seem to do anything right.
Joe Gideon: Listen. I can't make you a great dancer. I don't even know if I can make you a good dancer. But, if you keep trying and don't quit, I know I can make you a better dancer. I'd like very much to do that. Stay?
Victoria: Are you going to keep yelling at me?
Joe Gideon: Probably.
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Audrey Paris: Quick. Tell me. What was the name of the girl in Philadelphia, the blonde with the television show?
Joe Gideon: Ah, the blonde with the television show. The blonde with the television show in Philadelphia? I remember that girl's name. I remember that girl's name because that girl meant something to me. The blonde with the television show - her name was Sweetheart!
Audrey Paris: [Audrey shakes her head] Uh-uh.
Joe Gideon: Honey?
Audrey Paris: Nope.
Joe Gideon: Baby.
[introspective]
Joe Gideon: I can't remember her name.
Audrey Paris: [frustrated] Dorothy. Her name was Dorothy!
Joe Gideon: Who cares? I can't remember her name.