All That Jazz evaluation action

2022-01-29 08:08
"All That Jazz" is director Bob Fosse's prescient autobiography, which is about a decade after the film's release. There are some songs and dances interspersed in the film, but it is not a musical in the traditional sense, more like Fellini's "Eight and a Half", many of which are still expressed in 2002's "Chicago". The film has a strong narcissistic tendency, but it is definitely not biased blindly. Like the English title of "All That Jazz", it's all about "all about jazz". The body can be destroyed, the soul always sings, and by worldly standards, Joe cannot be called a good man. He abused drugs, was addicted to alcohol and tobacco, and could hook up with every woman in the city, but he would not give any woman a future.
"All That Jazz" is also Joe and Fox's three-step retrospective of their distant lives, and it's all about jazz   .
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Extended Reading
  • Brady 2022-03-23 09:03:16

    Best private film history musical. 1. The cognitive process of death is compared and strengthened many times through the form of play within play. 2. Artist talent/private life, medical staff and stage characters have been split and overlapped many times. 3. Break free narrative and editing. 4. Stage mirroring. 5. Confession to the angel/floating away; "I don't get married anymore because I haven't met the woman I hate so much that I want to torture her with marriage". 6. Musical films, please be sure to give them to those who love them deeply. (9.5/10)

  • Burdette 2022-03-27 09:01:20

    It's still a little less amazing than the previous Cabaret on the big screen, but I like this interpretation of death: it's too distracting and it's a little heavy to watch. It turns out that "Requiem for a Dream" pays tribute to the film's so many contents and shooting methods! PS. "Is loyalty really such a good quality?" Hahaha...

All That Jazz quotes

  • Joe Gideon: No, nothing I ever do is good enough. Not beautiful enough, it's not funny enough, it's not deep enough, it's not anything enough. Now, when I see a rose, that's perfect. I mean, that's perfect. I want to look up to God and say, "How the hell did you do that? And why the hell can't I do that?"

    Angelique: Now that's probably one of your better con lines.

    Joe Gideon: Yeah, it is. But that doesn't mean I don't mean it.

  • Audrey Paris: OK, now, all I wanna do now is to read easily - easily through the script, and, frankly, I'm not too familiar with it myself. So if we go through it, then you'll give Paul and me some rough idea of what we've got. Okay, no - no acting. Everyone just take it easy. Easy. All right, lights up. Audrey, you have your first number, and then you begin reading on page - page two.

    Audrey Paris: You see, Sammy, in California, everybody needs a car. I got a friend who bought a Mercedes just to get to the bathroom.

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