Director Sung-heui Cho first attracted the attention of the outside world with the short film " Brother and Sister 's House ". Although as an art director, Sung-heui Cho has his own aesthetic philosophy and artistic persistence, "" is his first commercial feature film. Although it is a simple youthful emotional story, it has a magnificent and vigorous feeling. It makes people feel that the story tells not only love, but also profound humanistic care, as well as various contradictions in environmental protection and modernization.
In "", there is no man-made touching scenes. In the process of creating characters, there is no profligate hypocrisy in the expression of emotions, and no indifferent pretense. It can awaken our gratitude for the past years that we have forgotten. Even for people who have fallen into the quagmire of the secular world, they have the power to behave well. Although the only negative role played by Liu Yanxi, the arrogant Kuo Shao, appeared in the film, there was a wonderful chemical reaction between the folks, the police, the army cadres and other characters on the scene, and the film was so tight and rich in the end. Tension's narrative expression is also attributed to the perceptual and delicate director skills of the new director Sung-heui Cho. Some people may say that the plot of "" is clichéd, but it cannot be denied that it does give me a strong emotional experience. This emotional power comes from the director's purification of our hearts in the process of shaping these warm characters.
Some people may artificially think that "" is a suspenseful and fantasy film that tells the story of "Werewolf", but in fact, it wants to tell the audience a pure love story. We can think of it as a pure love movie that combines the emotion of " Edward Scissorhands ", the sensibility of " Don't Get Near " and the commercial nature of " The twilight saga ". The most eye-catching and moving parts of the film are those fresh moments of first love. The beautiful pictures worthy of collection can be seen everywhere in the film, just like the moments of first love we have experienced. Although the film is unavoidable with a fantasy color, but unexpectedly, it vividly reflects reality. The destiny version of the love story with the girl even allows us to see our own hearts in contemporary society, using age, status, status and other practical reasons as an excuse to lose the most precious things.
""A great love film, he met her in a dim black and white world, and she met him in her boring and melancholic life, but this kind of love that the world cannot tolerate, is doomed to the main line of the story's tragedy, and time flies. How can the promise of love be changed, but the love held in the movie is so touching. Feeling the power of love, the Korean tear-gas method is incisive and vivid in this movie.” ()
