"June の Snake" follows Shinya Tsukamoto's usual style and is a black and white film that is only 77 minutes long. The film uses a series of erotic images to express Rinko's gradually revived sexual desire and physical pleasure, but Shinya Tsukamoto's purpose is never to provide people with sensory pleasure and stimulation. What they show is actually the psychological loneliness and even the loneliness of urbanites. Variation of mentality. The audience's attention quickly shifts from the protagonist's sexual thirst to their spiritual needs. Rinko and Shigehiko's indifferent and numb relationship is based on their inability to express and communicate their desires, while the body's instincts become the calling of life with powerful force. Shaking them, the force is represented by a photographer, played by Shinya Tsukamoto, that ultimately forces them to rediscover and build their marriage. While the film is predominantly black and white, there is a subtle blue tone to it. The images have his still bold and pioneering imagination, which is said to have almost surpassed the expressive boundaries of 35mm film
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"Snake in June" uses dark tones to show the misery of the middle class, and perfectly blends sexuality and violence in it. The film is full of metaphors, and the "snake" in the title refers to women and sexuality. And June sets the dark tone of the film
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