Although the film is slightly different, it is still a superb and powerful work that can hold up a sky in the international film scene. Alexander Despratt’s soundtrack is mellow and powerful. Michel Barthelemy’s rigid art design and the film’s exposure to the corruption of prison authorities also fill the film with a strong sense of realism
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The film is different from the American prison style of " Prison Break ", nor does it have the little romance of " Slumdog Millionaire ". "Un prophète" even discards the so-called accusations against society, but directly compares society to a prison. It has the boldness and sharpness that the world film world lacks
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The director of the film, Jacques Audiard, made the film an epic atmosphere
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The film uses black and white tones, French literary film-style dialogue, French shooting style, and contrasting straightforward American style, which is more stunning and charming. The film attempts to use a very literary technique to reveal the straightforward and realistic paradox of "the reason why we are in a cage is precisely because we don't want to get out of the cage all the time." This has also become the representative style of French gangster art films
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The layer-by-layer advancement of the film allows Odia to fully control the rhythm of the film. From the overall style of "Un prophète", you can see the French gangster masters Jean-Pierre Grumbach and Henry George K. The shadow of Ruzo, the dark, gloomy environment and the silent temperament of the protagonist complement each other
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