Savvy realists may be incensed by the Holocaust film A Bag of Marbles, but audiences willing to accept what director Christian Duguay is trying to achieve will react differently. At the heart of the film are two Jewish boys in Nazi-occupied France who are watching and sympathizing with the children as they flee for their lives and are forced to deny their faith and race . Instead of turning a blind eye to the deadly dangers along the way (including traitors, liars, and German officials bent on enticing them to reveal that they are Jewish), the director deftly alludes to the sense of freedom that young people regularly feel. But the film at times emphasizes the childish, with its nostalgic photography and beautiful depiction of the allure of family life, and at times it strays from emotion. It's not the first film to try to tackle the horror of the Holocaust from a child's perspective, but it's such a seemingly tricky historical context that ultimately succeeds because it's straightforward to present the context. came out
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The film's great value lies in the way it enables young audiences to understand such a barbaric and confusing chapter in human history. To its credit, many of the side characters in the film are vividly aware of their rights, including the SS chief who develops an obsession with boys, and two good Christians who protect children as if they were their own relatives Same. It's a very good historical film for most of the time, and in the final scene, it develops into a near-great historical film. Le Clech perfectly captured the brave spirit of his character, and his performance was a way of tricking the Nazis into admitting the humanity of the people they abused
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