42nd Street movie plot
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Ottilie 2022-04-09 09:01:09
In the studio period, even if Warner went to make musicals, it was full of reality and social anxiety, and the musical style also had a rough vitality. But I still don't understand. The film is completely illogical. The heroine in the film is a top white lotus. All men love her. Women are jealous of her and help her. The best opportunities are wrapped in colorful wrapping paper. , handed it over to her, she doesn't have to fight, she doesn't need to work hard, what kind of virtue can she be, she came up with this role during the Great Depression? Warner is still very romantic and dreamy! Or did everyone really suffer during the Great Depression, and felt that no matter how hard they fought, it was still useless, and they were too lazy to take care of it? Only the retired actress can vaguely see the temperament of the Great Depression, and for the eccentric choreography, the white thigh tunnel and the final street scene group dance, add a star.
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Donato 2022-04-08 09:01:13
This is the third opera-in-play musical I've seen with rehearsal performance as the main line.... a bit boring.... Like "Huaqing Chun Nuan" and "35 Years of Gold Rush Girl", this kind of play-in-play Essence only needs to watch the song and dance in the last 20 minutes. The previous plot is really boring, and the song and dance of this film is not as creative and impactful as those two, plus there are many unintentional but intentional lust hints. , the style of this film is not to mention elegant.
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Slim Murphy: Hey got a match?
Pat Denning: Yep... why I guess so... yeah.
Slim Murphy: Don't happen to know a guy named Pat Denning do ya?
Pat Denning: Why yes.
Slim Murphy: We got a message for him. This guy Pat Denning's a pretty wise mug but he ain't wise enough and if he don't lay off that Dorothy Brock dame, it's gonna be just too bad... for Denning, get me?
Pat Denning: Alright I'll tell him.
Slim Murphy: Yeah well...
[punches Pat in the mouth and Pat falls down]
Slim Murphy: that's so ya don't forget.
Mug with Murphy: Yeah
[He and Slim kick Pat then run off]
Peggy Sawyer: Ohhhhh Pat... Pat... Pat... who were they?
Pat Denning: Friends... with good advice.
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Ann Lowell: [singing while eating an apple] Matrimony is baloney
Loraine: [eating a banana] She'll be wanting alimony in a year or so;
Ann Lowell, Loraine: Still they go and shuffle, shuffle off to Buffalo.
Ann Lowell: When she knows as much as we know, she'll be on her way to Reno,
Loraine: While he still has dough; she'll give him the shuffle
Ann Lowell, Loraine: When they're back from Buffalo.
Ann Lowell: I'll bet that she's the farmer's daughter
Loraine: And he's that well-known traveling man;
Ann Lowell: He once stopped down at the farm house,
Loraine: That's how the whole affair began!
Ann Lowell: He did right by little Nelly, with a shotgun at his bel... tummy, How could he say "No?"
Ann Lowell, Loraine: He just had to shuffle, shuffle off to Buffalo.