"42nd Street" is clearly one of those very typical Broadway plots: a good Broadway director wants to make a final production, but his heroine gets injured on the eve of its premiere and is replaced by a new candidate , so the newcomer was a great success. This kind of plot seems to fall into the cliché, but this film makes this kind of old-fashioned plot gain by adding the love story of an old rich man, and the heroine did not cut off her love for her lover because of the temptation of money. many new ideas. The actor who plays the leading role in this film is indeed a well-known actor from Broadway, which adds a rare color to the visibility of this film in performance. The wonderful theatrical performance in the last twenty minutes of this film is so wonderful that the audience can hold their breath and bring an intoxicated smile on their faces, because the music and singing of this film have a power that penetrates the heart.
42nd Street evaluation action
2022-04-07 08:01
Extended Reading
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Lolita 2022-04-08 09:01:13
The stage set is simply depraved to an unbelievable level. . Ginger Rogers looks so cute in this film =, =
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Amelie 2022-04-07 09:01:08
7/10. The only historical value of the film is to use the changes of abstract lines to shoot kaleidoscope-style singing and dancing scenes. The most famous scene is the flow of geometric patterns formed by a circular stage and many beauties at the end, and a sea of beautiful women and flowers are spliced together with a large number of overlapping skills. The panoramic view and the camera moving crazily between the thighs, the virtual scene is constantly changing in the box of the train, and the actors jump happily out of the window to the lively street. In the end, the team lists the panels of the city, and the ups and downs are intertwined into male and female protagonists from the top. Aerial view of skyscrapers. In the film, there is a dialogue about unspoken rules and vicious competition. The actress who broke her leg "is good at her words when she is about to die", and persuades the newcomers who take the opportunity to not feel guilty. It seems that Paul Verhoeven's "" Showgirls directly copied this passage.
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Julian Marsh: Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you. Got to. Do you understand? You can't fall down. You can't because your future's in it, my future and everything all of us have is staked on you. All right, now I'm through, but you keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you're going out a youngster but you've got to come back a star!
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Slim Murphy: Hey got a match?
Pat Denning: Yep... why I guess so... yeah.
Slim Murphy: Don't happen to know a guy named Pat Denning do ya?
Pat Denning: Why yes.
Slim Murphy: We got a message for him. This guy Pat Denning's a pretty wise mug but he ain't wise enough and if he don't lay off that Dorothy Brock dame, it's gonna be just too bad... for Denning, get me?
Pat Denning: Alright I'll tell him.
Slim Murphy: Yeah well...
[punches Pat in the mouth and Pat falls down]
Slim Murphy: that's so ya don't forget.
Mug with Murphy: Yeah
[He and Slim kick Pat then run off]
Peggy Sawyer: Ohhhhh Pat... Pat... Pat... who were they?
Pat Denning: Friends... with good advice.