"14 Blades" is a Chinese-language commercial film that is full of flavors, flavors, and spectacles, with cuteness, and topicality. The film's costumes, styles, and plot are self-contained. Continuing and carrying forward Li Rengang's line of expressing philosophical thoughts with light and shadow, using the so-called "history" for my use, and devoting attention to gender. The body narrative is just a cover, and the film has another abstract philosophy. "14 Blades" inherits the dualistic separation vision of "Three Kingdoms: Resurrection of the Dragon", that is, the form and content, external and internal are divided into two poles, the external form: the armor is cumbersome, remove it and pack it lightly. It is brave in bold, full of artistic conception. The thick armor restrains humanity and suppresses fighting spirit. It symbolizes that people are entangled in fame, wealth, worries, and worldly affairs. If you can abandon everything and find the most authentic self, you should enter another realm. Li Rengang no longer only regards the external form as a superfluous fetter, but gives it a defensive effect. The golden cicada escapes from its shell and changes its shape. The outside protects the inside and becomes an extension of the inside. That is to say, on this further level, if fame, fame and wealth, worries, troubles, and worldly affairs can be turned into defensive weapons, it will be easy to play in the vanity fair, and it will not be far away. If you can't give it up, I hope you can use it. Why abandon it and turn it into a treasure
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Although Li Rengang used his gimmicks to produce a lot of hormone secretion, attracted the attention of many people, and produced a lot of saliva, the level that we can interpret is far more than these external appearances and forms. Only when he can see the dragon resurrect his armour, and get the insight of his own life through phenomena, can he not get away from the ins and outs of it. When the prosperity of Hong Kong films was declining, and actresses and female roles fell collectively, Li Rengang was able to continuously use Maggie Q and Zishan to play important roles in the film. This activation itself is already a major contribution to the film industry. And these female characters are not vase decorations, and their significance to the plot is intriguing. It can be said that it not only attracted the attention, but also carried out self-expression
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In general, the plot design of the film is very easy. Although the plot is based on tracing the whereabouts of Yuxi, it can be seen that the story is not too focused on official battles. It quickly turns into the fate of Qinglong and the emotional scene. Suspense has never been Relieve, chase all the way, maintain tension, crisis-ridden, and have the color of "Keep Talking". Among them, the judge died for Qinglong Qiaohua, which is the most martial arts spirit in the whole movie. Qiao Hua also has the lofty sentiment of wandering the rivers and lakes, and she should be accompanied by such a martial arts and tender woman. This is where the charm of martial arts movies lies. In the sunset, the figure looks like a green dragon, how romantic, the sensationalism of the movie here truly inherits one of the tricks that Hong Kong movies are all crazy and excessive: a double ending, a strong sensationalism. While dying, there is another beautiful imagination. Let the audience's emotions be unrestrained and not too extreme. "14 Blades", as a New Year's Eve movie, can make the absolute protagonist Qinglong die, it is very courageous
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